<H1> Bandcamp </H1> |
<H1> Bandcamp </H1> |
<H2> Discover amazing new music and directly support the artists who make it. </H2> |
<H2> Bandcamp Weekly February 1, 2022 </H2> |
<H2> Discover
filter by:
location
format
time
browse by tags
</H2> |
<H3> Bandcamp Weekly </H3> |
<H3> February 1, 2022 </H3> |
<H3>
Exploring the Crossroads of Country and Soul
</H3> |
<H3>
“Piece of Me” is the Album Lady Wray Always Wanted to Make
</H3> |
<H3>
Milwaukee’s Music Scene Converges in Credentials
</H3> |
<H3> Selling Right Now paused
(and yes, this really is a live feed — when you hear “nobody pays for music anymore,” that’s just The Man spreading his agenda)
</H3> |
<H3> Upcoming Bandcamp Live Streams </H3> |
<H3> New and Notable </H3> |
<H3> Bandcamp Daily </H3> |
<H3> Mainstream Funk </H3> |
<H3> Exploring the Crossroads of Country and Soul </H3> |
<H3> “Piece of Me” is the Album Lady Wray Always Wanted to Make </H3> |
<H3> Milwaukee’s Music Scene Converges in Credentials </H3> |
<H3> The Best Hip-Hop on Bandcamp: January 2022 </H3> |
<H3> Tape Label Report, January 2022 </H3> |
<H3> The Best Experimental Music on Bandcamp: January 2022 </H3> |
<H3> Essential Releases, January 28, 2022 </H3> |
<H3> The Best metal on Bandcamp: January 2022 </H3> |
<H3> The Best Country Music on Bandcamp: January 2022 </H3> |
<H3> The Secret World of Chinese Indie Pop </H3> |
<H3> The Best Punk on Bandcamp: January 2022 </H3> |
<H3> Wow’s Passion of Errors </H3> |
<H3> Tanya Tagaq Speaks Truths on “Tongues” </H3> |
<H3> Where to Start Exploring the Dazzling World of Molly Nilsson </H3> |
<H3> Bandcamp Navigator, January 2022 </H3> |
<H3> Bandcamp Fridays Return on February 4th </H3> |
<H3> Philadelphia Rapper Shortie No Mass Introduces Herself to a New Generation on “Here Goes Nothing” </H3> |
<H3> Essential Releases, January 21, 2022 </H3> |
<H3> Autistic Behavior’s “Shattered Cattle” is a Time Capsule of Adventurous Early Punk </H3> |
<H3> Musicians Turning Trash into Musical Treasure </H3> |
<H3> Audion Keeps The Out Sounds Way In </H3> |
<H3> New York Rapper YL Has a Smooth Flow & Fly Fashion </H3> |
<H3> Bill Callahan and Will Oldham Discuss Their Collaborative LP </H3> |
<H3> Ayanda Sikade Keeps the Backbeat for South African Jazz </H3> |
<H3> From Andean Goth to Chicha Disco: A Brief History of the Bolivian Underground </H3> |
<H3> A Guide to William Parker </H3> |
<H3> Remembering Dwayne “Headphones” Lawson: A Life In Beats </H3> |
<H3> Gallo Lester is a Mambo metal Troublemaker in a Rooster Mask </H3> |
<H4>
List
</H4> |
<H4>
Feature
</H4> |
<H4>
Feature
</H4> |
<H4>
Fans have paid artists $873 million using Bandcamp,
and $210 million in the last year.
</H4> |
<H4>
Fans have paid artists $873 million using Bandcamp,
and $210 million in the last year.
</H4> |
<H4>
by
</H4> |
Social
Dados das redes sociais
O custo e a sobrecarga anteriormente tornaram inviável essa forma de comunicação semi-pública.
Mas os avanços na tecnologia de redes sociais a partir de 2004-2010 tornaram possíveis conceitos mais amplos de compartilhamento.